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Concerts featuring Jan Lisiecki in season 2024/25 or later
This season, Jan Lisiecki presents a special project: three concerts featuring all of Beethoven's piano concertos and the Triple Concerto. The series begins with the contrasting pair of Piano Concertos Nos. 1 and 3 in C major and C minor. Lisiecki already shone with the Academy in 2018, stepping in for the ailing Murray Perahia. The result: a magnificent concert and some of the most exciting Beethoven albums of recent years.
Am zweiten Abend des groß angelegten Beethoven-Projekts von Jan Lisiecki und der Academy of St Martin in the Fields stehen mit den Klavierkonzerten Nr. 2 und Nr. 4 zwei weitere Klassik-Highlights auf dem Programm.Sie sind ein eingespieltes Team: Jan Lisiecki und die Academy of St Martin in the Fields. Das war bereits 2018 zu spüren, als Lisiecki mit allen fünf Beethoven-Konzerten für den erkrankten Murray Perahia einsprang. Die Verbindung zwischen Pianist und Ensemble ist seitdem eine besondere. Und der Wunsch von beiden Seiten, Beethovens Konzerte ein weiteres Mal in die Konzertsäle zu bringen, wird im Januar 2025 endlich Realität. An drei Abenden können Sie erleben den kompletten Beethoven-Zyklus erleben!
Jan Lisiecki präsentiert in dieser Saison gemeinsam mit der Academy of St Martin in the Fields sämtliche Klavierkonzerte Beethovens – und als Sahnehäubchen auch noch das nicht allzu häufig aufgeführte Tripelkonzert. Jan Lisiecki geht (mal wieder) aufs Ganze. Der sympathische Kanadier mit dem »profilscharfen Individualstil« (Der Spiegel) spielt in dieser Saison sämtliche Klavierkonzerte Beethovens – und als Sahnehäubchen auch noch das nicht allzu häufig aufgeführte Tripelkonzert. Zur Seite steht ihm dabei die Academy of St Martin in the Fields, mit der er bereits 2018 – als Einspringer für Murray Perahia – alle fünf Konzerte aufführte.
Jan Lisiecki and the Academy of St Martin in the Fields radiate pure joy of playing. This was already evident in 2018, when the young pianist saved a concert tour of the traditional British ensemble and stood in for Murray Perahia, who was ill, with all five Beethoven concertos - including at the Konzerthaus Berlin. The applause was enormous and the album with the live recording was a great success. Since then, this connection has been a very special one. Experience the Academy and the Canadian-Polish pianist once again with Beethoven: the fifth and final piano concerto and the triple concerto, in which concertmaster Tomo Keller and cello star Daniel Müller-Schott join Jan Lisiecki.
There are few experiences in classical music more invigorating, or more stirring than Sibelius’s Second Symphony. Imagine a swelling river of sound; a musical voyage that begins amid the tranquillity of nature and ends in a surge of triumph. That’s Sibelius’s Second Symphony, and there are few experiences in classical music more invigorating, or more stirring. For the young Finnish conductor Tarmo Peltokoski, Sibelius is a national hero. There’s another tale about memory to be told here, as Canadian pianist Jan Lisiecki takes centre stage to showcase the grandeur and glory of Beethoven’s mighty ‘Emperor’ Concerto – a work dedicated to the composer’s patron and friend, Archduke Rudolf. *Please note a change of programme from originally advertised
Imagine a swelling river of sound; a musical voyage that begins amid the tranquillity of nature and ends in a surge of triumph.That’s Sibelius’s Second Symphony, and there are few experiences in classical music more invigorating, or more stirring. For the young Finnish conductor Tarmo Peltokoski, Sibelius is a national hero, and Canadian pianist Jan Lisiecki takes centre stage to showcase the grandeur and glory of Beethoven’s mighty ‘Emperor’ Concerto – a work dedicated to the composer’s patron and friend, Archduke Rudolf.
The Gothenburg Symphony Orchestra visits Konserthuset under the baton of its Chief Conductor Santtu-Matias Rouvali. They are joined by the celebrated Canadian pianist Jan Lisiecki, internationally acclaimed by both audiences and critics for his beautiful touch and boundless virtuosity.Together, they present Frédéric Chopin's beloved First Piano Concerto. For Chopin, the piano always took centre stage. His nocturnes, études, mazurkas, polonaises, and impromptus have captivated listeners ever since he charmed audiences in the salons of Paris, or at the few concerts he gave during his all-too-short life. The orchestra plays a subordinate role even in the piano concerto – it is the soloist who shines with imaginative passages, beautiful bel canto melodies, and swirling dances.Regarding what would become his final symphony, Tchaikovsky wrote in a letter to his brother Anatoly: "I am now completely absorbed in the new work and find it difficult to tear myself away from it. I believe it will be one of my best works. I must finish it as soon as possible." The symphony indeed became one of the great musical masterpieces, filled with profound darkness and exalted beauty.
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